“Halloween Kills” is a Middling Means to an End (Review)
It was fun until it wasn't.
That's how I felt about the latest effort to keep the twisted legacy of Michael Myers going.
In 2018, David Gordon Green and his "Eastbound & Down" buddy Danny McBride were unlikely choices to reboot the "Halloween" franchise, but they managed to bring the series back to life with a fascinating exploration of personal trauma that was equally measured and brutal.
For the follow-up, they leaned heavily on the brutality but left the script feeling like a parody of a horror sequel. That is probably the hardest element to overcome here. Since it was intended as a new trilogy, "Halloween Kills" was always going to feel half baked. It exists to bridge the gap between movies and, never fear, "Halloween Ends" (which it most certainly will not) is already ...
