Author: Matt Shiverdecker

Pop culture obsessed queer in ATX. Freelance film & music writer. Member of GALECA and the Austin Film Critics Association. Former Music Director/On-Air Host at WOXY.com.
Sundance Hit ‘Mass’ is a Tragic Tale of Loss (Review)
Features, Film, Reviews

Sundance Hit ‘Mass’ is a Tragic Tale of Loss (Review)

For most of us, it's hard to imagine the pain that would come from the loss of a child. I don't know how many people ever would also stop to think about the pain for those whose children take the lives of other kids. That's at the heart of the directorial debut feature film from actor Fran Kranz. In 'Mass,' two sets of parents entangled in a lawsuit meet up for a private conversation in a neutral zone. In a utility room at a church where none of them attend, the four adults finally sit down face to face with each other. Martha Plimpton and Jason Isaacs star as Gail and Jay. They lost their teenage son in a school shooting. Ann Dowd and Reed Birney star as Richard and Linda. Their son, who was also a student at the same school, pulled the trigger. As they all sit dow...
Clooney Fails to Connect With ‘The Tender Bar’ (Review)
Features, Film, Reviews

Clooney Fails to Connect With ‘The Tender Bar’ (Review)

With his eighth feature film as a director, George Clooney has taken on J.R. Moehringer's acclaimed memoir of the same name. Unfortunately, as with his last several films in the director's chair, 'The Tender Bar' is inherently quite watchable, but failed to connect with me on almost any genuine level. For the film, J.R. is played by talented newcomer Daniel Ranieri as a young boy raised by his single mother (Lily Rabe) who really never gets to know his father, a disc jockey who exists in his life almost exclusively as a voice on the radio dial. They end up moving in with his grandparents (Sondra James, who gets almost no dialogue, and Christopher Lloyd, who does little else except for grunt and fart) on Long Island. J.R. falls under the spell of his uncle Charlie (Ben Affleck), a b...
The 10 Best Films of 2021
Features, Film, Reviews

The 10 Best Films of 2021

For as long as I have been breathing, there have been people complaining that it was not a good year for film. In the wake of a global pandemic and with the methods that most people use to consume movies changing all the time, there feels like there has been more of that than usual. There is an awful lot of Chicken-littleing across the internet, especially on 'Film Twitter.' One thing is certain: COVID accelerated the ever-shortening theatrical window. Not only do we see a lot more 'day and date' releases available to rent on video on demand or streaming providers, but even moderately successful titles have foregone a staggered theatrical release in favor of premium VOD rental access after 17 days of release. It will be hard to put that genie back in the bottle and, one might argue,...
‘The Novice’ is a Tightly Wound Tale of Obsession (Review)
Film, Reviews

‘The Novice’ is a Tightly Wound Tale of Obsession (Review)

Sometimes you watch a directorial debut and you find it hard to believe it was created by a first time filmmaker. Lauren Hadaway's thrilling debut feature is a shining example of this. It probably helps to craft a story that is inspired by your own life. Hadaway was a competitive collegiate rower and "The Novice" tells the story of Alex ("Orphan" star Isabelle Fuhrman), a college freshman who joins the rowing team and becomes obsessed with rising up the ranks. It's highly unusual for a freshman to be anywhere near the varsity team, but Alex's determination and laser-sharp focus finds her sidelining friends, classes, and romantic relationships in order to succeed against upperclassman competition. Fuhrman's performance is striking and borderline terrifying. We've all known somebo...
‘The Lost Daughter’ is a Harrowing Debut from Maggie Gyllenhaal (Review)
Film, Reviews

‘The Lost Daughter’ is a Harrowing Debut from Maggie Gyllenhaal (Review)

There are countless films about happy families and the joys of motherhood. The debut feature from award-winning actress Maggie Gyllenhaal is not one of them. Adapted from the novel by Elena Ferrante, it tells the story of Leda (Olivia Colman), a college professor who has gone off to Greece on holiday by herself. Italian literature is her forte and she has decided to hit the beach for some relaxation while working on some translations. The island choice appears idyllic, at least momentarily, but is soon invaded by a large vacationing family who take away all of her peace and quiet. Leda becomes drawn to a young mother named Nina (Dakota Johnson) and her daughter, who suddenly disappears one afternoon and sends every person in the vicinity off into the outskirts of the beach to search...
Academy’s Documentary Branch Whittling Down Shortlist for 2022
Features, Film

Academy’s Documentary Branch Whittling Down Shortlist for 2022

Earlier this week, the Academy of Motion Picture Arts and Scientists (AMPAS) announced the full list of feature films eligible for consideration as Best Documentary at the upcoming 94th Academy Awards. There are a total of 138 titles eligible for the category this year and members of the Documentary Branch begin voting today to whittle that list down to a shortlist of 15 films that will advance into the new year. The shortlist should be announced on Tuesday, December 21 and those 15 films will screen on their way towards a second round of balloting which will reveal the final 5 nominees in the category. One of the films you can likely expect to get nominated this year is "Flee" - the Danish film about a queer refugee from Afghanistan is the first to ever qualify in the Document...
‘Don’t Look Up’ is a Star-studded Apocalyptic Satire (Review)
Film, Reviews

‘Don’t Look Up’ is a Star-studded Apocalyptic Satire (Review)

Movies that take place during the end of the world are nothing new, but the COVID-19 pandemic feels like it accelerated their frequency. Over the last two years, we've seen "Greenland," "How It Ends," "The Mitchells vs. The Machines," "Songbird," and many more tread this territory in different ways With his latest effort, director Adam McKay ("The Big Short") teams up with journalist David Sirota to craft a stupidly hysterical screenplay about what might happen if the planet was facing an extinction level event. On the surface, it doesn't seem like that would bring about a lot of laughter, but for me, it definitely did. Jennifer Lawrence stars as Kate Dibiasky. She is an astronomy grad student who, while on a standard observation of the night sky, discovers a massive comet that appe...